“Ellas” is the
name of my latest painting exhibition that opened last night in Café Via Via,
Copán Ruinas.
The year 2012 was centred on Maya culture because of the alleged Maya prophecy of the end of the world and I won’t deny I’ve been taken advantage of that event in my art work as much as I could. But while the “End of the World” came closer, I was more than fed up painting Maya calendar glyphs. Time for something new and completely different!
Inspired by a conference for women artists I attended, organized by Mujeres en Las Artes in Tegucigalpa (Encuentro de Mujeres Creadores, December 3-5, 2012), I decided to prepare an art show dedicated to Honduran women. So I chose photos of strong women who have a special meaning to me and started painting in a –for me- completely different style, depicting the women in bright bold colours against abstract backgrounds. Even if women here lead harsh lives with many shortcomings, I wanted to paint them in bold, joyous colours, letting their sense of humour, their strength and beauty shine through. So here they are, “Ellas”:
Cecilia |
I’ve known
Cecilia since she was about three years old, when she first started attending
my art workshops, dragged along by her older cousins. Cecilia always reminded
me of myself when I was little, physically as well as in her behaviour. Just
like me she would find herself a quiet corner and sit there for hours,
completely focused on her artwork. Both Cecilia’s parents are in the US
while she and her brother are being raised by her grandmother. She rarely
speaks about how hard that it is not to be able to see her parents (for years
now) but every once in a while it comes to the surface. I remember Cecilia
singing a heartbreaking ranchera once
during a talent show we had organized, about a father abandoning his child.
Tears were streaming over her cheeks while she sang her heart out. It was truly
heartbreaking. The good thing, however, is that she won the first prize.
Chave |
Isabel, better
known as La Chave, is one of those women who touch so many hearts without even
realizing it. La Chave works as a cook in La Casa de Todo, but she is so much
more than just an employee. La Chave is a presence, a hurricane, the one who
can get anything done. She also has a
very sharp tongue and doesn’t shy away from scolding just anybody, tourists,
colleagues, customers or her boss alike. She also masters quite a nasty
vocabulary, but there is no woman with a bigger heart and a more contagious
laugh than La Chave.
Kensy |
Helen |
Helen is a young
woman from the village
of La Pintada and as the
other girls, I’ve known her for years and always had a weak spot for her.
Whereas many girls from the indigenous communities are very timid, Helen is
outgoing and always the first to volunteer. When I went up to la Pintada in
December with a camera crew that wanted to film indigenous women making
cornhusk dolls, Helen was, as always, the first to invite us into her home and
show us her craft making. I just hope she’ll keep studying…
Sonia |
Sonia is five
years old and also from la Pintada. I’ve known her basically since her birth,
because she is the daughter of a student of us, unfortunately a girl herself.
Sonia’s short life hasn’t been extremely difficult, but whenever I see her,
she’s always full of smiles and ready to play. I hope she never loses that
playfulness.
Maritza |
I met Maritza
when here daughter participated in the first Children’s Council in 2002 and we
have been friends ever since. Maritza is from a tiny village about two hours
from Copán (nowadays. It used to be more like 4, back then), in a very remote
corner of the municipality
of Copán. Maritza is a
fighter and a doer and nothing will stop her. Despite her lack of education
(she never finished elementary school herself) Maritza decided to open a
kindergarten in her village. She started with a small group of children in her
own home, but a few years later she managed to get a real classroom donated to
the community where she now teaches about 50 kids. This kindergarten happens to
be named “Carin Steen” which is a great honour for me (albeit also a great
obligation…). And she and her family have honoured me even more when her first
grandchild was called Carin Maritza. May she turn in such a strong woman as her
abuelita Maritza!
Campesina |
I have thousands
of pictures of kids, but not so many of older women. The opening of my show was
coming near and time was running out, so I asked around for some good head
shots. My good friend Fredy Rodriguez sent me a few great pictures of women in
the village of Carrizalón. So I don’t know these women
personally, but I’m fascinated by their features and hope I’ve managed to
express, through their hardship, their beauty and dignity.
Mujer |
Elsa |
Elsa is from a
small village and dropped out of school in grade 3, because her father didn’t
think she needed any more education. But Elsa didn’t agree and decided to
educate herself. So through the Maestro
en Casa program (classes broadcasted by radio), she graduated from
elementary school. And then she went on and struggled her way through high
school in the same way. Five years ago, Elsa started to work with me as a
facilitator in our Maya education project. Besides her job, she kept on studying,
started a successful sowing business, sells AVON
(lots of it) and is a mother and wife as well. I was extremely proud when last
December she asked me to be her godmother at her graduation, because Elsa is
now an elementary teacher herself.
Destiny |
Dilcia |
In June of 2012 I
had the opportunity to accompany two girls from the small indigenous village of
la Pintada to Spain
to attend the Fourth youth Forum on Cultural Patrimony. It was an amazing trip,
visiting al these majestic places throughout Spain. But for the girls, who had
never left their village before, it was so much more than that. It was an eye-opening,
inspiring, scary sometimes, but mostly life changing experience. For this
painting of Dilcia I chose a photo I took in Cordoba, where we visit the famous mosque.
Dilcia was super tired at the time (who could blame her), but I love her
pensive expression. The background of this painting is based on the wooden
carved windows of the mosque. What a symmetry!
There’s one more woman to go in this series, but more about her later.
All these
portraits were painted with gouache on watercolour paper and measure 51 x 36cm
(Except for “Kensy”, 75 x 55cm).
Except for
“Helen” and “Destiny”, all works are for sale (with or without frame) and can
be shipped. For prices and shipping details, please contact me through email.
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